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DigiRack Plug-ins Guide70
Attack
The Attack control sets the attack time, or the
rate at which gain is reduced after the input sig-
nal crosses the threshold.
The smaller the value, the faster the attack. The
faster the attack, the more rapidly the Compres-
sor/Limiter applies attenuation to the signal. If
you use fast attack times, you should generally
use a proportionally longer release time, partic-
ularly with material that contains many peaks
in close proximity.
This control ranges from 10 μs (fastest attack
time) to 300 ms (slowest attack time).
Release
The Release control sets the length of time it
takes for the Compressor/Limiter to be fully de-
activated after the input signal drops below the
threshold.
Release times should be set long enough that if
signal levels repeatedly rise above the threshold,
the gain reduction “recovers” smoothly. If the
release time is too short, the gain can rapidly
fluctuate as the compressor repeatedly tries to
recover from the gain reduction. If the release
time is too long, a loud section of the audio ma-
terial could cause gain reduction that continues
through soft sections of program material with-
out recovering.
This control ranges from 5 ms (fastest release
time) to 4 seconds (slowest release time).
Knee
The Knee control sets the rate at which the com-
pressor reaches full compression once the
threshold has been exceeded.
As you increase this control, it goes from apply-
ing “hard-knee” compression to “soft-knee”
compression:
• With hard-knee compression, compression
begins when the input signal exceeds the
threshold. This can sound abrupt and is ideal
for limiting.
• With soft-knee compression, gentle compres-
sion begins and increases gradually as the in-
put signal approaches the threshold, and
reaches full compression after exceeding the
threshold. This creates smoother compres-
sion.
For example, a Knee setting of 10 dB would be
the gain range over which the ratio gradually in-
creased to the set ratio amount.
The Gain Reduction meter displays light orange
while gain reduction has not exceeded the knee
setting, and switches to dark orange when gain
reduction reaches the full ratio.
This control ranges from 0 db (hardest response)
to 30 db (softest response).
Graph examples of hard and soft knee compression
Hard knee Soft knee
- DigiRack 1
- Plug-ins 1
- Legal Notices 2
- Chapter 1. Introduction 3
- DigiRack Plug-ins Guide 6
- Introduction 7
- System Requirements 8
- Conventions Used in This 9
- About www.digidesign.com 9
- DigiRack Plug-ins Guide4 10
- Installation and Configuration 11
- DigiRack Plug-ins Guide6 12
- Favorite plug-ins 13
- Plug-in categories 13
- Default EQ plug-in 13
- Default Dynamics 13
- DigiRack Plug-ins Guide8 14
- Processing Power 15
- Requirements of TDM and 15
- RTAS Plug-ins 15
- Improving RTAS Plug-in 16
- Performance 16
- RTAS Processors 17
- CPU Usage Limit 17
- RTAS Error Suppression 18
- Delay in Signal Processing 19
- Low-Latency Recording with 20
- Instrument Plug-ins 20
- Plug-ins as Inserts 21
- Inserting Plug-ins on Tracks 22
- Configuring Plug-ins During 23
- Playback 23
- Making Plug-ins Inactive 23
- The Plug-in Window 24
- Opening Plug-in Windows 26
- Multi-Mono Plug-ins 27
- Clip Indicators 28
- Using the Side-Chain Input 28
- Tempo Sync 29
- Automating Plug-ins 30
- Automation 31
- DigiRack Plug-ins Guide26 32
- Automation Enable window 32
- RTAS Plug-ins on Auxiliary 33
- Input and Master Fader Tracks 33
- HTDM Plug-in Conversion to 35
- DigiRack Plug-ins Guide30 36
- The AudioSuite Menu 37
- The AudioSuite Window 38
- Use In Playlist Button 39
- File Mode Selector 39
- Process Mode Selector 40
- Multichannel Processing 41
- Undoing AudioSuite Processing 42
- Processed Audio 42
- Other AudioSuite Controls 42
- AudioSuite Processing 43
- Preferences 43
- Pro Tools Reference Guide 44
- Using AudioSuite Plug-ins 45
- Using AudioSuite Plug-ins in 46
- Adjusting Plug-in Controls 47
- Toggling Switches 48
- EQ III Configurations 49
- EQ III Controls 50
- I/O Controls 52
- EQ Band Controls 53
- Frequency Graph Display 54
- 1 Band EQ 54
- 7 Band EQ 55
- High-Pass/Low Notch 56
- Low-Pass/High Notch 56
- Low Shelf/Low Peak 57
- Low-Mid Peak 58
- Mid Peak 58
- High-Mid Peak 59
- High Shelf/High Peak 59
- 2–4 Band EQ 60
- High-Shelf EQ 62
- Low-Shelf EQ 62
- Low-Pass Filter 62
- Automating EQ III Controls 63
- Click Controls 64
- Creating a Click Track 64
- Dither Controls 65
- POW-r Dither 66
- D-Verb Controls 67
- Clip Indicator 68
- Input Level 68
- Algorithm 68
- Typing Control Values 70
- Keyboard 70
- Expander/Gate Features 71
- Dynamics Graph Display 72
- Side-Chain Section 73
- Compressor/Limiter III 74
- Input/Output Level Meters 75
- Threshold 75
- DigiRack Plug-ins Guide70 76
- Hard knee Soft knee 76
- Expander/Gate III 77
- Expander/Gate III Controls 78
- De-Esser III 80
- Mod Delay II 85
- DigiRack Plug-ins Guide80 86
- Dot modifierTriplet modifier 86
- Duration 86
- SignalTools 87
- SurroundScope 88
- PhaseScope 89
- SignalTools Display Options 90
- SignalTools Level Meters 91
- Meter Types 92
- Meter Peak Hold Options 92
- Reference Mark Options 92
- Pitch Controls 93
- DigiRack Plug-ins Guide88 94
- Relative pitch entry 94
- TimeAdjuster 95
- Delay Compensation 96
- When to Compensate for Delays 97
- Trim Controls 98
- DigiRack AudioSuite Plug-ins 99
- Dynamics III 100
- Dynamics II 100
- Chorus plug-in 101
- Sum Inputs button 101
- Flanger 102
- Multi-Tap Delay 103
- Ping-Pong Delay 104
- Duplicate 105
- Normalize 106
- Signal Generator 107
- DC Offset Removal 108
- Time Compression/ 108
- Expansion 108
- Pitch Shift 110
- Time Shift 111
- DigiRack Plug-ins Guide106 112
- Transient 114
- Down Tasks 116
- AudioSuite Input Modes 117
- AudioSuite Preview 117
- Processing Audio 118
- Elastic Audio Plug-ins 119
- Polyphonic 120
- Rhythmic 121
- Monophonic 122
- Varispeed 122
- Elastic Audio Tracks 123
- Elastic Audio Track Controls 124
- Elastic Audio Analysis 125
- Real-Time and Rendered 126
- Elastic Audio Processing 126
- About Rendered Files 127
- Region Clip Indicator 127
- Elastic Properties 128
- DigiRack Plug-ins Guide124 130
- Elastic Audio Preferences 131
- DigiRack Plug-ins Guide126 132
- Plug-in Settings 133
- Choosing a Destination for 134
- Settings 134
- Managing Settings 135
- Plug-in Settings Dialog 136
- Auditioning Plug-in Settings 137
- DigiRack Plug-ins Guide132 138
- DigiRack Plug-ins Guide134 140
- Using ReWire with Pro Tools 141
- DigiRack Plug-ins Guide136 142
- ReWire Requirements 143
- Using ReWire 144
- MIDI Automation with ReWire 145
- Quitting ReWire Client 147
- Applications 147
- Tempo and Meter Changes 147
- Looping Playback 148
- Automating ReWire Input 148
- Switching 148
- DSP Requirements 149
- Monitoring DSP Usage 152
- Delay 99 155
- DigiRack Plug-ins Guide150 156
- Index 151 157
- DigiRack Plug-ins Guide152 158
- Index 153 159
- DigiRack Plug-ins Guide154 160
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LG LM-K2935A manuales
Manuales del propietario y guías del usuario para Reproductores de dvd LG LM-K2935A.
Ofrecemos 2 manuales en pdf LG LM-K2935A para descargar gratis por tipos de documentos: Manual de usuario
Tabla de contenidos
OWNER'S
1
Playable
4
Connecting
10
PREPARATION
11
Connections
12
Operation
14
OPERATION
23
(continued)
26
60,70,80
36
Audio"
38
REFERENCE
39
[CD/VCD/DVD]
40
Tabla de contenidos
Connexions
10
PREPARATION
11
Reglages
18
Control)
22
Fonctions
26
Sous-titrage
32
Reproduction
34
REFERENCE
37
Letonien
38
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