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Appendix A: DSP Requirements for TDM Plug-ins 145
Multi-Mono and Multi-Channel DigiRack Plug-ins
Plug-ins used in multi-mono format on greater-than-stereo tracks require one mono instance per
channel of the multi-channel audio format. A multi-mono EQ used on a 5.1 format track, for exam-
ple, requires six mono instances since there are six audio channels in the 5.1 format. Because multi-
channel versions of the Compressor II, Limiter II, and Expander/Gate II plug-ins are available for use
on greater-than-stereo tracks, separate instance counts are given for those configurations.
Table 2. Theoretical maximum instances of real-time TDM plug-ins per DSP chip for a Pro Tools HD Core and HD
Process card at 48 kHz**
Plug-in LCR
Quad
&
LCRS
5.0
5.1 &
6.0
6.1 &
7.0
7.1
DSP Chips per
HD Card
DigiRack Pitch
partial partial partial partial partial partial 9
D-Verb
partial partial partial partial partial partial 9
Compressor/Limiter III 332222
9
Expander/Gate III 332222
9
De-Esser III
Mod Delay I (short)
14118765 9
Mod Delay I (slap)
1086544 9
Mod Delay I (medium)
543222 9
Mod Delay I (long)
partial partial partial partial partial partial 9
Mod Delay II (short)
14118765 9
Mod Delay II (slap)
1086544 9
Mod Delay II (medium)
543222 9
Mod Delay II (long)
221111 9
Mod Delay II (extra
long)
partial partial partial partial partial partial 9
Dither
1297654 9
POW-r Dither
321121 9
Time Adjuster (short)
30 22 18 15 13 11 9
- DigiRack 1
- Plug-ins 1
- Legal Notices 2
- Chapter 1. Introduction 3
- DigiRack Plug-ins Guide 6
- Introduction 7
- System Requirements 8
- Conventions Used in This 9
- About www.digidesign.com 9
- DigiRack Plug-ins Guide4 10
- Installation and Configuration 11
- DigiRack Plug-ins Guide6 12
- Favorite plug-ins 13
- Plug-in categories 13
- Default EQ plug-in 13
- Default Dynamics 13
- DigiRack Plug-ins Guide8 14
- Processing Power 15
- Requirements of TDM and 15
- RTAS Plug-ins 15
- Improving RTAS Plug-in 16
- Performance 16
- RTAS Processors 17
- CPU Usage Limit 17
- RTAS Error Suppression 18
- Delay in Signal Processing 19
- Low-Latency Recording with 20
- Instrument Plug-ins 20
- Plug-ins as Inserts 21
- Inserting Plug-ins on Tracks 22
- Configuring Plug-ins During 23
- Playback 23
- Making Plug-ins Inactive 23
- The Plug-in Window 24
- Opening Plug-in Windows 26
- Multi-Mono Plug-ins 27
- Clip Indicators 28
- Using the Side-Chain Input 28
- Tempo Sync 29
- Automating Plug-ins 30
- Automation 31
- DigiRack Plug-ins Guide26 32
- Automation Enable window 32
- RTAS Plug-ins on Auxiliary 33
- Input and Master Fader Tracks 33
- HTDM Plug-in Conversion to 35
- DigiRack Plug-ins Guide30 36
- The AudioSuite Menu 37
- The AudioSuite Window 38
- Use In Playlist Button 39
- File Mode Selector 39
- Process Mode Selector 40
- Multichannel Processing 41
- Undoing AudioSuite Processing 42
- Processed Audio 42
- Other AudioSuite Controls 42
- AudioSuite Processing 43
- Preferences 43
- Pro Tools Reference Guide 44
- Using AudioSuite Plug-ins 45
- Using AudioSuite Plug-ins in 46
- Adjusting Plug-in Controls 47
- Toggling Switches 48
- EQ III Configurations 49
- EQ III Controls 50
- I/O Controls 52
- EQ Band Controls 53
- Frequency Graph Display 54
- 1 Band EQ 54
- 7 Band EQ 55
- High-Pass/Low Notch 56
- Low-Pass/High Notch 56
- Low Shelf/Low Peak 57
- Low-Mid Peak 58
- Mid Peak 58
- High-Mid Peak 59
- High Shelf/High Peak 59
- 2–4 Band EQ 60
- High-Shelf EQ 62
- Low-Shelf EQ 62
- Low-Pass Filter 62
- Automating EQ III Controls 63
- Click Controls 64
- Creating a Click Track 64
- Dither Controls 65
- POW-r Dither 66
- D-Verb Controls 67
- Clip Indicator 68
- Input Level 68
- Algorithm 68
- Typing Control Values 70
- Keyboard 70
- Expander/Gate Features 71
- Dynamics Graph Display 72
- Side-Chain Section 73
- Compressor/Limiter III 74
- Input/Output Level Meters 75
- Threshold 75
- DigiRack Plug-ins Guide70 76
- Hard knee Soft knee 76
- Expander/Gate III 77
- Expander/Gate III Controls 78
- De-Esser III 80
- Mod Delay II 85
- DigiRack Plug-ins Guide80 86
- Dot modifierTriplet modifier 86
- Duration 86
- SignalTools 87
- SurroundScope 88
- PhaseScope 89
- SignalTools Display Options 90
- SignalTools Level Meters 91
- Meter Types 92
- Meter Peak Hold Options 92
- Reference Mark Options 92
- Pitch Controls 93
- DigiRack Plug-ins Guide88 94
- Relative pitch entry 94
- TimeAdjuster 95
- Delay Compensation 96
- When to Compensate for Delays 97
- Trim Controls 98
- DigiRack AudioSuite Plug-ins 99
- Dynamics III 100
- Dynamics II 100
- Chorus plug-in 101
- Sum Inputs button 101
- Flanger 102
- Multi-Tap Delay 103
- Ping-Pong Delay 104
- Duplicate 105
- Normalize 106
- Signal Generator 107
- DC Offset Removal 108
- Time Compression/ 108
- Expansion 108
- Pitch Shift 110
- Time Shift 111
- DigiRack Plug-ins Guide106 112
- Transient 114
- Down Tasks 116
- AudioSuite Input Modes 117
- AudioSuite Preview 117
- Processing Audio 118
- Elastic Audio Plug-ins 119
- Polyphonic 120
- Rhythmic 121
- Monophonic 122
- Varispeed 122
- Elastic Audio Tracks 123
- Elastic Audio Track Controls 124
- Elastic Audio Analysis 125
- Real-Time and Rendered 126
- Elastic Audio Processing 126
- About Rendered Files 127
- Region Clip Indicator 127
- Elastic Properties 128
- DigiRack Plug-ins Guide124 130
- Elastic Audio Preferences 131
- DigiRack Plug-ins Guide126 132
- Plug-in Settings 133
- Choosing a Destination for 134
- Settings 134
- Managing Settings 135
- Plug-in Settings Dialog 136
- Auditioning Plug-in Settings 137
- DigiRack Plug-ins Guide132 138
- DigiRack Plug-ins Guide134 140
- Using ReWire with Pro Tools 141
- DigiRack Plug-ins Guide136 142
- ReWire Requirements 143
- Using ReWire 144
- MIDI Automation with ReWire 145
- Quitting ReWire Client 147
- Applications 147
- Tempo and Meter Changes 147
- Looping Playback 148
- Automating ReWire Input 148
- Switching 148
- DSP Requirements 149
- Monitoring DSP Usage 152
- Delay 99 155
- DigiRack Plug-ins Guide150 156
- Index 151 157
- DigiRack Plug-ins Guide152 158
- Index 153 159
- DigiRack Plug-ins Guide154 160
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