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Appendix B: DSP Delays Incurred by TDM Plug-Ins 127

appendix b

DSP Delays Incurred by TDM Plug-Ins

Table 5 on page 128 shows the delays inherent

in each type of Digidesign TDM plug-in. Delays

matter only if you use a real-time TDM plug-in

on one channel of a stereo or multichannel sig-

nal but not the others. This can cause the chan-

nels to be out of phase.

You can use the DigiRack TimeAdjuster plug-in

to compensate for these delays. See the DigiRack

Plug-Ins Guide for more information.

See the Pro Tools Reference Guide for details

on DSP-induced delays.

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Digidesign 1
Copyright 2
Chapter 4. D-Fi 4
Chapter 5. D-Verb 4
Chapter 6. Focusrite D2 4
Chapter 7. Focusrite D3 4
Chapter 8. DINR 4
Digidesign Plug-Ins Guide 6
Getting Started With Plug-Ins 7
Plug-In Formats 8
Installing Plug-Ins 8
Digidesign Registration 9
Authorizing Plug-Ins 10
Removing Expired Plug-Ins 10
Allocating Additional Memory 11
Conventions Used in This 12
Processing Power 13
Requirements of TDM and 13
RTAS Plug-Ins 13
Improving RTAS Plug-In 14
Performance 14
Delay in Digital Signal 15
Processing 15
Plug-Ins as Inserts 16
Inserting Plug-Ins on Tracks 17
The Plug-In Window 18
Channel Selector 19
Link Enable buttons 19
Master Link button 19
Digidesign Plug-Ins Guide14 20
Editing Plug-In Parameters 21
Using a Key Input for Side 22
Chain Processing 22
Automating Plug-Ins 23
Using the Librarian 24
The Settings Menu 25
Choosing a Destination for 25
Settings 25
Managing Settings 26
Mono Plug-ins 26
Digidesign Plug-Ins Guide22 28
The AudioSuite Window 29
Plug-In Selector 30
Selection Reference 30
Use In Playlist Button 30
File Mode Selector 31
Process Mode Selector 31
Digidesign Plug-Ins Guide26 32
Multichannel Processing 33
Undoing AudioSuite Processing 33
Processed Audio 33
Other AudioSuite Parameters 33
The AudioSuite Processing 34
Preferences Dialog 34
Using AudioSuite Plug-Ins 35
Using AudioSuite Plug-Ins in 36
Recti-Fi 37
Purposely Degrading Audio 38
Chapter 4: D-Fi 33 39
Input Trim 40
Effect Type 40
Effect Amount 40
Effect Frequency 40
Modulation Type 41
Mod Amount and Mod Rate 41
Chapter 4: D-Fi 37 43
Alternating rectiﬁcation 43
Alt-Max rectiﬁcation 43
D-Fi Demo Session 44
Lo-Fi Examples 45
Recti-Fi Examples 46
Chapter 4: D-Fi 41 47
Digidesign Plug-Ins Guide42 48
About Reverb 49
D-Verb Parameters 50
Input Level 51
Algorithm 51
Diffusion 51
Customizing a Reverb 52
Selecting Tracks for D-Verb 53
AudioSuite Processing 53
Digidesign Plug-Ins Guide48 54
Focusrite D2 55
D2 Parameters 56
EQ Filter Controls 57
Low-Mid Peak Filter 58
High-Mid Peak Filter 58
High-Shelf Filter 58
Low-Pass Filter 58
Computer Keyboard 59
Using D2 in Stereo 60
Focusrite D3 61
The D3 Compressor 62
The D3 Limiter 62
D3 Parameters 63
D3 Compressor Controls 64
Threshold 65
Auto Release 65
D3 Limiter Controls 66
Broadband Noise Reduction 67
Creating a Noise Signature 68
The Contour Line 68
Reduction 68
Parameters 69
High-Shelf EQ 70
Chapter 8: DINR 65 71
Control-Option-Right Arrow 72
Using Broadband Noise 73
Digidesign Plug-Ins Guide68 74
Editing the Contour Line 75
Using BNR AudioSuite 76
Chapter 8: DINR 71 77
BNR AudioSuite 77
Hum Removal 78
Chapter 8: DINR 73 79
Center Frequency 79
Using Hum Removal 80
RTAS version instead 81
About Peak Limiting 82
Maxim Parameters 83
Attenuation 84
Link Button 85
Noise Shaping 85
Bit Resolution 85
Using Maxim 86
Bruno and Reso 87
DSP Requirements 88
Inserting Bruno/Reso onto an 88
Audio Track 88
Playing Bruno/Reso 88
Using MIDI 89
Using MIDI Playback 89
Bruno Parameters 90
On-Screen Keyboard 91
Timbre Parameters 91
Timbrometer 92
Amplitude Parameters 92
ADSR Envelope Generator 93
Voice Parameters 95
Reso Parameters 96
Resonance Velocity 97
Damping Amount 97
Damping Velocity 97
Harmonics 97
Gain Velocity 99
Pitch Parameters 100
LPF/Voice Parameters 101
Online Help 102
Reverb One 103
A Reverb Overview 104
Reverb One Controls 105
Master Mix Controls 106
Dynamics Controls 106
Chorus Controls 107
Reverb Controls 107
Early Reﬂections Controls 108
Simulating Early Reﬂections 109
Reverb Graphs 110
Other Controls 111
Input Level Meters 112
SoundReplacer 113
SoundReplacer Parameters 114
Trigger Threshold 115
Load/Unload Sound 115
The Zoomer 116
Crossfade 116
Peak Align 116
Using SoundReplacer 117
Getting Optimum Results With 118
Mapping The Same Sample Into 119
Multiple Amplitude Zones 119
Using the Audio Files Folder 120
Replacement Files 120
SoundReplacer Demo Session 121
Example 3 122
Example 4 122
Example 5 122
Chapter 12: SoundReplacer 117 123
Digidesign Plug-Ins Guide118 124
SurroundScope 125
SurroundScope Parameters 126
Lissajous Meter 127
Phase Meter 127
Numerics 135
Digidesign Plug-Ins Guide130 136
Index 131 137
Digidesign Plug-Ins Guide132 138
Index 133 139
Digidesign Plug-Ins Guide134 140
Index 135 141

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